Emilio Uranga (1921-1988) was a Mexican philosopher who was
born in Mexico City. From 1941-1944, he studied medicine at the Universidad
Nacional Autónoma de México (UNAM), but he then entered the
Facultad de Filosofía y Letras of UNAM to study philosophy, where he was taught
and influenced by the Spanish philosopher José Gaos (1900-1969), who was a
faculty member at UNAM from 1939-1969.
In 1948, Uranga became a member of
the Hyperion group (el grupo Hiperión),
an intellectual community of young philosophers who were influenced by Gaos and the existentialism of Heidegger and Sartre. The group included Ricardo
Guerra (1927-2007), Jorge Portilla (1918-1963), Salvador Reyes Neváres
(1922-1993), Joaquín Sánchez Macgrégor (1925-2008), Fausto Vega (1922-2015), Luis Villoro
(1922-2014), and Leopoldo Zea (1912-2006). The group was named after the Greek
mythological figure Hyperion, a Titan, son of Uranus and Gaia. Hyperion was the
father of the sun god Helios, and was a symbol of illumination, watchfulness, and
wisdom. The Mexican philosopher Gustavo Escobar Valenzuela, who was later a
student of Uranga’s at the UNAM in the 1960’s, explains that Hyperion was also
“hijo de la tierra y del cielo, encargado de unir lo concreto con lo universal”
(“son of the earth and sky, charged with unifying the concrete with the
universal”).1
From 1953-1957, Uranga studied
at the universities of Freiburg, Tübingen, Cologne, and Hamburg, before doing
further study at the Sorbonne and receiving his doctoral degree in philosophy. He later taught at the Facultad de
Filosofía
y Letras of the UNAM. His major writings included Ensayo de una ontología del mexicano (1949), Dos teorías de la muerte: Heidegger y Sartre (1949), Análisis del ser del mexicano (1952), Kant y Santo Tomás (sobre el problema de la
verdad) (1954). Goethe y los
filósofos (1958), A la sombra de
Hegel (1958), Astucias literarias
(1971) and ¿De quién es la filofofía?
(1977).
Uranga’s reputation began to decline
in the 1960’s, as he became an increasingly outspoken defender of the Mexican
government against its left-wing opponents, even after the Tlatelolco massacre
in 1968. He alienated himself from many of his friends, and became increasingly
isolated and withdrawn from society. He died in Mexico City in 1988.
In his Analysis of the Being of the Mexican (Análisis
del ser del mexicano, 1952), Uranga says that the being of human
beings is accidental insofar as it is contingent on events other than itself.
Being as accident is a being reduced or disrupted by its merging with
nothingness. There is in it both a clarity and an obscurity in which being and
nothingness communicate.2
To see the being of human beings as
accidental is also to see it within the horizon of possibility of accident
itself. To try to escape the condition of accidentality is to seek an illusory
substantiality. The being of human beings is not “substantial,” in the sense of
being non-accidental. It is thrown toward both being and nothingness, and this
ontological equivocality is what makes it “accidental.”3
Uranga’s point of reference is not
the human (lo humano), however, but
the Mexican (lo mexicano). His
project is not to construct an ontology of the Mexican by starting from the
human, but to construct an ontology of the human by starting from the Mexican.
He explains that in the mode of being of the Mexican can be seen the mode of
being of the human. Whenever we affirm that the being of the Mexican is
accidental (just as we may affirm that the mode of being of the American or
European is accidental), a horizon of meaning opens up for our reflection.
Taking the concept of the Mexican or
Mexicanness as a starting point for an ontology of humankind also avoids the
prejudices and presuppositions that have traditionally been associated with the
taking of the European as a template for humankind in general. The European may
not interrogate its own mode of being as European if it identifies the human as
European and not as Mexican or as any other non-European mode of being.4
Mexicanness (Méxicanidad)
is not something with rigid contours that can be subsumed under a simple definition.
It's not fixed, invariable, or monolithic. It may accommodate social class, ethnic,
regional, and historical differences. Uranga quotes the philosopher Samuel
Ramos (1897-1959) as saying, “Una cosa es utilizar una filosofía para
explicar al mexicano y otra cosa es utilizar al mexicano para explicar una
filosofía” (“It’s one thing to utilize a philosophy in order to explicate the Mexican,
but another to utilize the Mexican in order to explicate a philosophy”). Ramos
explains that if philosophy is utilized to investigate Mexicanness, philosophy
may to some degree help us to discover its true nature. But if Mexicanness is used
to explicate a philosophy, we may make the mistake of assuming that what we’ve
found in Mexicanness was not already present in that philosophy. We may not
recognize the true nature of Mexicanness at all.5
Uranga claims that all ontology
of the Mexican is “autognosis” (self-knowledge) of the Mexican, but that the
converse does not hold true. There are productive and rewarding autognostic
modalities of the Mexican that are not ontological.6 For precise
knowledge of the Mexican to be attained, however, ontological investigation is necessary.
What is the final outcome of any autognosis
of the Mexican? How does the being of the Mexican explain the many and
diverse experiences of Mexicans? An answer, says Uranga, is found in the
openness of the being of the Mexican to possibility, to contingency, to
accident. Autognosis of the Mexican reveals that the being of the Mexican is
“accidental.”
Whenever we recognize accident in
the horizon of human existence, we discover previously unknown complexities in
its ontological structure, and thus we also recognize human existence in the
horizon of accident.7
All remoteness from being as
accident implies a certain attempt at substantialization, explains Uranga, and all
nearness to being as accident implies a certain attempt at accidentalizing
ourselves.8 To be open to, and not to try to evade, the
accidentality of our own being is also for us to be open to humanness in its
deepest sense. We may search for something to make us feel more secure and
substantial, but the courage to open ourselves to all that is human, and the
willingness to express our affinity with others by demonstrating such qualities
as compassion, empathy, kindness, and mutual respect, enables us to more clearly
understand our own being.
According to Uranga, the Mexican (or
Mexicanness) may be conceptualized as the human (or humanness), and the human may be conceptualized
as the Mexican. Thus, the concept of the Mexican has both nationalistic and
humanistic aspects. However, nationalism can have its dangers, and can separate
the Mexican (or Mexicanness) from the human (or humanness). If nationalism
becomes a delimitation or confinement of the human, then the ontology of the
Mexican becomes a kind of anti-nationalism, since it attempts to explain how
the being of the Mexican is open to all that is human. Thus, the ontology of
the Mexican understands the Mexican and the human as an inseparable pair (pareja) of modes of being. The human is
understood as the Mexican, and the Mexican is understood as the human.
FOOTNOTES
1Gustavo Escobar Valenzuela, “Emilio Uranga (una
aproximación)”, in Humanismo mexicano del
siglo XX, edited by Alberto Saladino García (Toluca: Universidad Autónoma
del Estado de México, 2004), pp. 495-504.
2Emilio Uranga, Análisis
del ser del mexicano, y otros escritos sobre la filosofía de lo mexicano
(1949-1952), edited by Guillermo Hurtado (México: Bonilla Artigas Editores,
2013), p. 40.
3Ibid., p. 122.
4Ibid., p. 68.
5Ibid., p. 142.
6Ibid., p. 78.
7Ibid., p. 49.
8Ibid., p. 45.