What is moral imagination, and what role does (or should) it
play in moral reasoning? What is its importance in moral decision-making?
Moral imagination may be described
as an ability to devise new or alternative approaches to moral problem-solving,
and thus an ability to formulate new interpretations of the meaning of moral actions and situations.
It may also be described as an
ability to conceive of new or alternative moral principles and values, and
thus an ability to engage with, and have a fuller understanding of, one’s own
moral capacities and those of a given individual, group, or society.
It may also be described as an
ability to develop new or alternative interpretations of the moral motivations
of others, and thus an ability to recognize the range of possibilities
available for moral behavior.
For some individuals, moral
imagination may take the form of imagining a kind of morality different from
conventional morality. It may take the form of imagining that what is
conventionally taken as right is actually wrong, or that what is conventionally
taken as wrong is actually right, or that there actually is no right or wrong.
For those who do not know right from
wrong (such as, perhaps, some young children or cognitively impaired individuals or psychiatrically disabled individuals), moral imagination may be an
imagining that something is right or wrong because of the responses that it
seems to evoke from others. The emotionally immature or cognitively impaired individual
may in some cases only discover that something is right or wrong by becoming
acquainted with the moral and social responses of others to it.
Trying to improve our moral conduct, and striving toward a moral ideal, may also to some extent involve our
imagining the kinds of people we could be if we were to live up to all
our responsibilities and fulfill all our moral ideals. In order to
become better citizens, we may sometimes have to imagine how we could become
better fathers, mothers, sons, daughters, brothers, sisters, teachers,
students, co-workers, colleagues, teammates, friends, or neighbors.
To imagine something may be to
conceive of that thing without ever having actually seen or experienced it. It
may also be to perceive something as present or possible without its ever
having actually been present for, or accessible to, sensory perception.
To imagine something may also be to
conceive of an object, person, situation, or condition that doesn't yet, but could,
exist. It may be to evoke, summon, or call forth unrealized possibilities.
If something engages or captivates our imaginations, we may find it to be particularly intriguing or compelling.
We may discover that it presents to us a range of possibilities that we were
previously unaware of or were only partially aware of. We may then be drawn
to further explore its nature, meaning, significance, and implications.
Moral imagination may be a power or faculty
of producing from current or past perceptions new ideas or concepts that have moral
applications, implications, or dimensions. It may involve creative and
intuitive, as well as analytic and critical thinking. It may be combined with
other moral faculties, such as moral perception, intuition, insight, reasoning,
and understanding, in order to produce a more secure and reliable foundation for moral
judgment.
Moral imagination may also enable us to
recognize that there may be more than one way of looking at and responding to
moral problems.
The ability to be imaginative may depend on an openness to new thoughts, new impressions, and new
ways of looking at things.
Moral imagination may therefore enable us
to find creative solutions to moral dilemmas. It may enable us to envision and formulate ideal
modes of conduct.
Supererogatory conduct (actions that
go beyond what is morally obligatory) may depend on the power of the imagination to
inspire us to perform actions that go beyond the call of duty.
Imagination may also play an important
role in such moral attitudes as sympathy, empathy, and compassion. The ability
to feel and express sympathy, empathy, or compassion for others may to
some extent depend on the ability to imagine what they are feeling, and thus to imagine the pain, suffering, distress, anxiety, embarrassment, shame, sadness, or despair they may be experiencing.
A constricted moral imagination may constrict the ability to feel sympathy, empathy, or compassion for others. Failure
to respond to the suffering and distress of those who are seen as outsiders or strangers may thus in some cases be due to a constriction, deficiency, or failure of imagination.
Imagination may also enable us to
evaluate our own actions in light of what we think others may think about them.
It may help us to recognize that our conduct can always be improved.
Moral imagination may enable us to
exercise capacities for moral decision-making that we didn't previously know we
possessed or that we were only dimly aware of. It may enable us to anticipate the possible
unintended consequences of our actions, and to judge whether those consequences
are desirable or undesirable. In cases in which we are compelled to ask
ourselves whether we may have failed to treat others as we ourselves would want
to be treated, it may enable us to recognize how we would feel if we were
treated by others in the same way that we have treated them.
Moral
imagination may also play a role in, or be incorporated into, other forms of imagination,
such as religious, aesthetic, literary, poetic, or dramatic imagination. It may
inspire the creation of moral comedy or tragedy. It may provide a foundation
for moral aesthetics or poetics, including the poetics of moral possibility.
As a creative
enterprise, moral imagination may also be opposed to mimesis, rote repetition, or
mechanical mimicry of conventionally accepted behavior. It may be opposed to rigid and inflexible adherence to moral norms and principles of duty. Thus, it may make possible
the perception of a kind of moral truth that transcends conventionally accepted truth,
and it may inspire new approaches to, and creative strategies for, moral
problem-solving.
Moral imagination may therefore depend less on
the seeing of things as they are (though it certainly does depend on this kind
of seeing) than on the seeing of things as they might be. The seeing of things
as they might be, or as they could possibly be, is also the awareness of possibility,
which may be the essence or most fundamental feature of imagination.
Moral imagination may be
something that makes possible Raskolnikov’s overwhelming sense of guilt in Crime and Punishment, Ahab’s maniacal
quest for revenge in Moby Dick,
Kurz’s ultimate sense of horror in Heart of Darkness, and Joseph K’s inescapable sense of anxiety and
desperation in The Trial.
It may also be
something that makes possible Jane’s faithfulness to her sense of duty in Jane Eyre, Strether’s moral scrupulousness
and faithfulness to personal conscience in The
Ambassadors, Jay Gatsby’s romantic idealism and sense of hope in The Great Gatsby, Emma’s carelessness
and capriciousness in Madame Bovary,
Hedda’s recklessness and self-indulgence in Hedda
Gabler, Blanche’s disdain for Stanley’s crudeness in A Streetcar Named Desire, Levee’s sense of futility and rage in Ma Rainey’s Black Bottom, Dimmesdale’s
agonizing sense of guilt in The Scarlet
Letter, and Aschenbach’s hopeless infatuation with Tadzio in Death in Venice.
Matthew Kieran, in an article
entitled “Art, Imagination, and the Cultivation of Morals” (1996), explains
that morally significant art may promote imaginative understandings of moral
problems, concerns, or situations. Art "may extend or deepen our understanding
of the values and commitments that underlie our actions and desires,” and it "may also shape our understanding of what we value by showing us how to act…in
morally fruitful or harmful ways.”1
John Dewey (1922) explains that
“deliberation is a dramatic rehearsal (in imagination) of various competing
possible lines of action….Each habit, each impulse involved in the temporary
suspense of overt action takes its turn in being tried out. Deliberation…. is
an experiment in making various combinations of selected elements of habits and
impulses, [in order] to see what the resultant action would be like if it were
entered upon.”2
Steven Fesmire (2003) extends
Dewey’s conception of the role of imagination in moral deliberation by proposing three interrelated theses: (1) moral
character, belief, and reasoning are inherently social, embodied, and
historically situated, (2) moral deliberation is fundamentally imaginative and takes
the form of dramatic rehearsal, and (3) moral imagination may be conceived as a
process of aesthetic perception and artistic creation.3 Fesmire therefore argues that imagination may provide deliberative resources for moral decision-making that are not provided by rigid adherence to abstract principles of morality.
Mark Johnson (1993) explains that "moral reasoning is...basically an imaginative activity, because it...requires imagination to discern what is morally relevant in situations, to understand empathetically how others experience things, and to envision the full range of possibilities open to us in a particular case."4 He also says that moral situations may be metaphorically conceptualized in order to more clearly understand them, and that "the metaphorical character of moral understanding is precisely what makes it possible to make appropriate moral judgments."5
Mark Johnson (1993) explains that "moral reasoning is...basically an imaginative activity, because it...requires imagination to discern what is morally relevant in situations, to understand empathetically how others experience things, and to envision the full range of possibilities open to us in a particular case."4 He also says that moral situations may be metaphorically conceptualized in order to more clearly understand them, and that "the metaphorical character of moral understanding is precisely what makes it possible to make appropriate moral judgments."5
Moral imagination may inspire the construction of moral narratives, and it may promote understanding of the ways in which such narratives can be framed or contextualized. Moral narratives may be those that have a moral content, subject matter, theme, purpose, or meaning. The understanding of moral situations may to some extent depend on the understanding of narrative accounts and explanations that have been provided with respect to those situations. Moral understanding may therefore be to some extent a kind of narrative understanding.
However, moral understanding may be not only analytic, conceptual, thematic, and textual, but also synthetic, imaginative, empathetic, and experiential.
Moral imagination may include the capacity to perceive previously unrecognized or poorly understood moral dimensions of our actions. It may also include, as a result of the capacity to think creatively about moral possibility and responsibility, the capacity to perceive those moral dimensions of our actions that are not immediately or prima facie evident. It may therefore enable us to develop a fuller understanding of the morally good, and a clearer understanding of the true nature of morality (whatever that may be).
However, moral understanding may be not only analytic, conceptual, thematic, and textual, but also synthetic, imaginative, empathetic, and experiential.
Moral imagination may include the capacity to perceive previously unrecognized or poorly understood moral dimensions of our actions. It may also include, as a result of the capacity to think creatively about moral possibility and responsibility, the capacity to perceive those moral dimensions of our actions that are not immediately or prima facie evident. It may therefore enable us to develop a fuller understanding of the morally good, and a clearer understanding of the true nature of morality (whatever that may be).
FOOTNOTES
1Matthew Kieran, “Art, Imagination, and the
Cultivation of Morals,” in The Journal of
Aesthetics and Art Criticism, Vol. 54, No. 4 (1996), p. 345.
2John Dewey, Human
Nature and Conduct: An Introduction to Social Psychology (New York: Henry
Holt and Company, 1922), p. 190.
3Steven Fesmire, John Dewey and Moral Imagination: Pragmatism in Ethics
(Bloomington: Indiana University Press, 2003), p. 4.
4Mark Johnson, Moral Imagination: Implications of Cognitive Science for Ethics (Chicago: The University of Chicago Press, 1993), pp. ix-x.
5Ibid., p. 10.
4Mark Johnson, Moral Imagination: Implications of Cognitive Science for Ethics (Chicago: The University of Chicago Press, 1993), pp. ix-x.
5Ibid., p. 10.