The following is a reflection I delivered at church during the 8:00 am service, on Sunday, May 26, 2019. The "Faith at Eight" service is usually a small gathering of people, including the rector and about ten parishioners, who come together to sing hymns, say prayers, participate in a reflection period (during which we talk about that day's readings from the lectionary), and share Holy Communion. This reflection was inspired by a reading from The Acts of the Apostles (16:9-15).
In the lectionary readings from the last few weeks we've been reading stories about the lives of the Apostles. So I had some thoughts I'd like to share about the nature of storytelling and narrativity.
In one of my favorite movies, Lawrence of Arabia, there's a sequence in which Lawrence (played by Peter O'Toole), is crossing the Nefud Desert with a band of warriors, who are led by Sherif Ali (played by Omar Sharif), in order to launch an attack on Aqaba, a port on the Red Sea. The attack takes place during the Arab revolt against the Ottoman Empire in 1917. The warriors must reach a well at the edge of the desert by midday or their camels will start to die of thirst. But one of the warriors, Qasim, falls asleep during the night while they are riding across the desert, and falls off his camel. The rest of the group doesn't realize he's missing until dawn, when they've almost reached the edge of the desert. Lawrence insists they go back to rescue Qasim, but Sherif Ali says, "Qasim's time is come, Lawrence. It is written."
Lawrence says, "Nothing is written!" and starts to turn back toward the desert.
Sherif Ali starts to get angry, and says, "You will not be at Aqaba, English!"
Lawrence says, "I shall be at Aqaba. That is written" ("in here," he says, pointing to his forehead). And thus he heroically rides back into the desert to rescue Qasim, who has lost his camel and is nearly dead of heat exhaustion. Later, when they return to the rest of the group at the edge of the desert, Sherif Ali admiringly says, "Truly, for some men nothing is written unless they write it."1
So we're presented with the idea that we can write our own stories, and that our destinies are not predetermined. The phrase, "it is written" is an appeal to scriptural authority, but if we want to be able to write our own destinies into being, without ignoring what the scriptures have to say, then we must somehow be able to write for and about ourselves without simply retelling what's already been written.
When we read the Gospels, we're often reading stories or narratives of the life of Jesus, and when we read The Acts of the Apostles, we're often reading stories about the lives of the apostles. Jesus used storytelling and parables as a means of teaching his disciples. But the only time in the Gospels we hear of Jesus writing anything is in John 8:3-7, which says:
"3 The scribes and the Pharisees brought a woman who had been caught in adultery, and placing her in their midst, 4 they said to him, "Teacher, this woman has been caught in the act of adultery. 5 Now in the law, Moses commanded us to stone adulterers. What do you say about her?" 6 This they said to him to test him, that they might have some charge to bring against him. But Jesus bent down and wrote with his finger on the ground, 7 and as they continued to ask him, Jesus said to them, "Let him who is without sin among you be the first to throw a stone at her.""
We're also presented with the idea that our actions constitute a kind of speech or writing to others. In 2 Corinthians 3:2-3, Paul says, "2 You yourselves are our letter, written on your hearts, to be known and read by everyone. 3 And you show that you are a letter from Christ...written not with ink, but with the Spirit of the living God, not on tablets of stone, but on tablets of human hearts."
In what other ways can we speak or write ourselves into being? We may also speak or write ourselves in being when we tell others our stories as disciples of Christ.
What's the importance of telling our story? It's a way in which we can share our faith. The narratives of each of our lives have a beginning, middle, and ending. To tell others about ourselves is to tell them the stories of our lives, and to narrate events that we have witnessed or, in one way or another, participated in.
To share our faith in Christ with others is also to tell them why we believe in Christ as Lord, Redeemer, and Savior. To witness to or give personal testimony about our faith is to tell others what or where we were before we found Christ, and to tell them how we found Christ. To witness to Jesus as our Lord and Shepherd is also to confess our faith in Jesus, to serve and obey him, and to tell others how Jesus has entered our lives. We each have a story to tell, a narrative to share with others. But this implies that we can also write or tell our own stories. We can become whoever or whatever we want to be by writing new narratives about our own lives, and by changing the narratives that have been written for us by those who want to subjugate, oppress, manipulate, or control us.
H. Porter Abbott, Professor Emeritus of English at the University of California, Santa Barbara, says in The Cambridge Introduction to Narrative (2008) that
"Narrative is found not just in the arts but everywhere in the ordinary course of people's lives, many times a day...We are all narrators, though we may rarely be aware of it...As we seek to communicate more detail about events in time, we become involved in increasingly complex acts of narration...We are also the constant recipients of narrative: from newspapers and television, from books and films, and from friends and relatives.2...Narrative is present in almost all human discourse."3
Alasdair MacIntyre, Professor Emeritus of Philosophy at Notre Dame, says in his well-known book After Virtue (1981), however, that the narratives through which we retell and reconstruct the events of our lives are always co-authored. "We are never more (and [are] sometimes less) than the co-authors of our own narratives. Only in fantasy do we live whatever story we please," he says.4
McIntyre also says,
"What the narrative concept of selfhood requires is thus twofold. On the one hand, I am what I may justifiably be taken by others to be in the course of living out a story that runs from my birth to my death. I am the subject of a history that is my own and no one else's, that has its own peculiar meaning. When someone complains--as do some of those who attempt or commit suicide--that his or her life is meaningless, he or she is often and perhaps characteristically complaining that the narrative of their life has become unintelligible to them, that it lacks any point."5
MacIntyre goes on to say,
"To be the subject of a narrative that runs from one's birth to one's death is...to be accountable for the actions and experiences which compose a narratable life."6 ...The other aspect of narrative selfhood is correlative. I am not only accountable, I am one who can always ask others for an account, who can put others to the question. I am part of their story, as they are part of mine. The narrative of any one's life is [therefore] part of an interlocking set of narratives."7
So we are not only the subjects of our own narratives, but also the subjects of others' narratives. We are not only constantly in the act or process of writing our own narratives, but also are simultaneously contributing directly or indirectly to others' writing of their own narratives. In a sense, I think that's what we're doing here today, in this reflection period--sharing narratives about our experiences, thoughts, and feelings, sharing our narrative interpretations of the scriptures, and writing a kind of collective interpretation of the readings in our minds and hearts.
So I'd like to thank my wife Carol for being co-author of my own life story, and I'd like to thank each one of you for also being co-authors of my life story.
FOOTNOTES
1Lawrence of Arabia, directed by David Lean, produced by Sam Spiegel, screenplay by Robert Bolt and Michael Wilson, Columbia Pictures, 1962.
2H. Porter Abbott, The Cambridge Introduction to Narrative (Cambridge: Cambridge University Press, 2008), p. xii.
3Ibid., p. 1.
4Alasdair MacIntyre, After Virtue (Notre Dame: University of Notre Dame Press, 1981), p. 213.
5Ibid., p. 217.
6Ibid., p. 217.
7Ibid., p. 218.
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